Thursday, August 6, 2009
Pat Metheny's Phase Dance -- A Harmonic Analysis
This is a clip of the Pat Metheny Group playing Phase Dance, a particular favorite of mine. A tune off the first Pat Metheny Group album, Phase Dance was from a period when Pat was still writing tunes based on more standard song forms -- very different from the cinematic epics of his later years.
And here's the chord progression. Interestingly it is based on a repetitive 12- bar sequence:
Bm7 Bm7 Bbmaj7 Bbmaj7
Bm7 Bm7 Bbmaj7 Bbmaj7
G/A G/A Gmaj7 Gmaj7
Notice how the Bm7 and Bbmaj7 toggle between two key centers -- Bm and Bb, or Bm and Gm as how I like to see it. Pat plays off F (or Dm) for the Bbmaj7 for a Bb lydian sound which gives a soaring effect to his melody line and solo.
Taking the lydian idea further, for the G/A and Gmaj7 in bars 9-12 Metheny sticks to the Bm (or D) tonality for a G lydian sound.
Check Out Pat Metheny CDs And DVDs Here!
Subscribe to:
Post Comments (Atom)
Nice post. I love that tune.
ReplyDeleteI saw Pat play 4 years ago in a trio with Antonio Sanchez and Christian McBride. Wish he had played Phase Dance -- it's one of my favorites too. They did do Bright Size Life though. My other favorite from the PMG 'white album' is 'Jaco'. Love Egan's fretless bass solo on that one.
ReplyDelete